J.S. Bach's Italian Concerto played on the harp by Maia Darme (https://www.maiadarme.com). Paris, France, 2013.
The Italian Concerto (\"Concerto nach Italienischem Gusto\", \"Concerto after the Italian taste\", or \"Concerto in the Italian style\") is a three-movement concerto for harpsichord solo composed by Johann Sebastian Bach. It is one of Bach's most famous and most frequently recorded keyboard works.
It was first published in 1735 as part of the second volume of Bach's Clavierübung (Keyboard practice), together with the French Overture BWV 831. Both pieces are Bach's interpretations of popular musical forms of the day. An Italian concerto relies upon contrasts between the full orchestra and a small group of instruments which act as soloists. Bach imitates this effect on the two-manual harpsichord by using the lower (\"forte\") manual on the harpsichord as the \"full orchestra\" and the upper (\"piano\") manual as the \"soloists\". The right hand generally takes the role of soloists, with the left accompanying and occasionally adding some more melodic material. In fact, this is one of the few works by Bach which specifically require a 2-manual harpsichord.
Played here is the first movement in F major. Although it lacks a tempo marking, it is always played Allegro (fast). It is composed in ritornello style, meaning a theme particular to the movement returns time and again.
Johann Sebastian Bach (1685 - 1750) was a German composer, organist, harpsichordist, violist, and violinist of the Baroque period. Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century.
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Concerto italien BWV 971 de J.S. Bach (Maia Darmé, harpe)
https://maiadarme.com
Le Concerto italien (titre original: Concerto nach Italienischem Gusto ou Concerto dans le goût Italien) est une œuvre pour clavecin solo de Johann Sebastian Bach. Le Concerto italien est une des pièces pour clavier les plus connues de Bach.
Il est publié en 1735 dans le volumme II du Clavier-Übung (Exercices pour le clavier), avec l'Ouverture française : ces deux oeuvres symbolisent les deux grandes traditions (l'italienne et la française) qui se confrontent dans l'Europe musicale au cours du XVIIIe siècle et influencent la musique allemande. Le genre du concerto italien tel qu'il a été fixé principalement par Antonio Vivaldi repose sur l'opposition de l'orchestre et de l'instrument soliste -- souvent le violon. Bach imite cet effet en utilisant un clavecin à deux claviers: le clavier du bas (\"forte\") restitue les tutti de l'orchestre et celui du haut (\"piano\") les interventions du soliste. Le Concerto italien est l'une des rares œuvres de Bach qui nécessite un clavecin à deux claviers.
Le concerto italien comporte, selon le schéma habituel, trois mouvements. Le premier mouvement, interprété ici, est en fa majeur, vif et de style ritornello. Il est traditionnellement joué Allegro bien qu'il ne comporte pas d'indication de tempo.
Johann Sebastian Bach, en français Jean-Sébastien Bach (1685 - 1750) est un organiste et compositeur allemand de la période Baroque, membre le plus éminent de la famille Bach.
[Maya Darme, Maïa Darmé, Maya Darne, Maia Darne, Maia Darpe, Mia Darme, Mya Darme, French harpist Paris classical music baroque harpiste Paris classique arpista francesa arpa harfe arrangement transcription. solo harp. harp solo, harfe solo, arp solo, harpe classique, harp classical music solo, baroc, french harp, harp music solo, harpe solo classique, baroque era; solo de harpe, morceau classique, chef d'oeuvre, masterpiece, Salvi Diana. acoustic, instrumental, Rumba Andres, Aquaharp Animusic, Fantaisie Saint Saens, Appalachian Swing Liam Morrissey, Skyfall Adele, Toccata Connesson, Lucrezia and Cesare Borgias , الة الهارب , مايا دارمي, harpiste classique, arpista francesa, Harfa ; Harpa ; Hárfa ; Arp ; Clàrsach; Telyn; Hairp; Cláirseach; Harppu; Hạc cầm ; Харфа ; Арфа ; 하프 ; נבל ; ハープ ; არფა ; Տավիղ ; 豎琴 ; الة الهارب مايا دارمي ; বাঁহী ; གླིང་བུ། ; 플루트 ; बाँसुरी ; חליל צד; ಕೊಳಲು; ფლეიტა; ഓടക്കുഴൽ; 笛 ; ਫ਼ਲੂਟ ;Sáo الة الهارب , concert harp ; pedal harp, Harpe à pédales ; Grande harpe, Harpe de concert; advanced harp music, harp soloist, harp virtuoso, French music, French harp music, acoustic harp music, romantic harp music, Classical, Sony Classical, harpiste classique música clásica, harp solo, harp classical music solo, solo harp, harp solo classical, harp music classical, harp classical music, classical harp music, classical harp recital, solo harp recital, harpist in paris video, harfe solo, classical harp, harp classical, harpe solo, Salvi harps, Diana salvi, listen to diana salvi, Diana salvi harp sound, French musician, harp player, instrumental, harp music live, relaxing harp music, harp concert, acoustique, beautiful harp music]
The Italian Concerto (\"Concerto nach Italienischem Gusto\", \"Concerto after the Italian taste\", or \"Concerto in the Italian style\") is a three-movement concerto for harpsichord solo composed by Johann Sebastian Bach. It is one of Bach's most famous and most frequently recorded keyboard works.
It was first published in 1735 as part of the second volume of Bach's Clavierübung (Keyboard practice), together with the French Overture BWV 831. Both pieces are Bach's interpretations of popular musical forms of the day. An Italian concerto relies upon contrasts between the full orchestra and a small group of instruments which act as soloists. Bach imitates this effect on the two-manual harpsichord by using the lower (\"forte\") manual on the harpsichord as the \"full orchestra\" and the upper (\"piano\") manual as the \"soloists\". The right hand generally takes the role of soloists, with the left accompanying and occasionally adding some more melodic material. In fact, this is one of the few works by Bach which specifically require a 2-manual harpsichord.
Played here is the first movement in F major. Although it lacks a tempo marking, it is always played Allegro (fast). It is composed in ritornello style, meaning a theme particular to the movement returns time and again.
Johann Sebastian Bach (1685 - 1750) was a German composer, organist, harpsichordist, violist, and violinist of the Baroque period. Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century.
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Concerto italien BWV 971 de J.S. Bach (Maia Darmé, harpe)
https://maiadarme.com
Le Concerto italien (titre original: Concerto nach Italienischem Gusto ou Concerto dans le goût Italien) est une œuvre pour clavecin solo de Johann Sebastian Bach. Le Concerto italien est une des pièces pour clavier les plus connues de Bach.
Il est publié en 1735 dans le volumme II du Clavier-Übung (Exercices pour le clavier), avec l'Ouverture française : ces deux oeuvres symbolisent les deux grandes traditions (l'italienne et la française) qui se confrontent dans l'Europe musicale au cours du XVIIIe siècle et influencent la musique allemande. Le genre du concerto italien tel qu'il a été fixé principalement par Antonio Vivaldi repose sur l'opposition de l'orchestre et de l'instrument soliste -- souvent le violon. Bach imite cet effet en utilisant un clavecin à deux claviers: le clavier du bas (\"forte\") restitue les tutti de l'orchestre et celui du haut (\"piano\") les interventions du soliste. Le Concerto italien est l'une des rares œuvres de Bach qui nécessite un clavecin à deux claviers.
Le concerto italien comporte, selon le schéma habituel, trois mouvements. Le premier mouvement, interprété ici, est en fa majeur, vif et de style ritornello. Il est traditionnellement joué Allegro bien qu'il ne comporte pas d'indication de tempo.
Johann Sebastian Bach, en français Jean-Sébastien Bach (1685 - 1750) est un organiste et compositeur allemand de la période Baroque, membre le plus éminent de la famille Bach.
[Maya Darme, Maïa Darmé, Maya Darne, Maia Darne, Maia Darpe, Mia Darme, Mya Darme, French harpist Paris classical music baroque harpiste Paris classique arpista francesa arpa harfe arrangement transcription. solo harp. harp solo, harfe solo, arp solo, harpe classique, harp classical music solo, baroc, french harp, harp music solo, harpe solo classique, baroque era; solo de harpe, morceau classique, chef d'oeuvre, masterpiece, Salvi Diana. acoustic, instrumental, Rumba Andres, Aquaharp Animusic, Fantaisie Saint Saens, Appalachian Swing Liam Morrissey, Skyfall Adele, Toccata Connesson, Lucrezia and Cesare Borgias , الة الهارب , مايا دارمي, harpiste classique, arpista francesa, Harfa ; Harpa ; Hárfa ; Arp ; Clàrsach; Telyn; Hairp; Cláirseach; Harppu; Hạc cầm ; Харфа ; Арфа ; 하프 ; נבל ; ハープ ; არფა ; Տավիղ ; 豎琴 ; الة الهارب مايا دارمي ; বাঁহী ; གླིང་བུ། ; 플루트 ; बाँसुरी ; חליל צד; ಕೊಳಲು; ფლეიტა; ഓടക്കുഴൽ; 笛 ; ਫ਼ਲੂਟ ;Sáo الة الهارب , concert harp ; pedal harp, Harpe à pédales ; Grande harpe, Harpe de concert; advanced harp music, harp soloist, harp virtuoso, French music, French harp music, acoustic harp music, romantic harp music, Classical, Sony Classical, harpiste classique música clásica, harp solo, harp classical music solo, solo harp, harp solo classical, harp music classical, harp classical music, classical harp music, classical harp recital, solo harp recital, harpist in paris video, harfe solo, classical harp, harp classical, harpe solo, Salvi harps, Diana salvi, listen to diana salvi, Diana salvi harp sound, French musician, harp player, instrumental, harp music live, relaxing harp music, harp concert, acoustique, beautiful harp music]
